Music is a story, and every note is a clue. Mozart opens—clean, sharp, every note landing like it’s meant to be there, no wasted motion. Then Mahler rolls in, dark and stormy, his Piano Quartet in A minor pulling you into a world he didn’t even finish. It’s raw, unresolved, like a conversation cut short.
Brahms follows with the Piano Quartet No. 3 in C minor, Op. 60. Its Andante movement is tender and introspective, offering a glimpse of warmth and longing amidst the stormy undercurrents of the work. And then there’s Debussy, whose Violin Sonata shimmers with impressionistic colors, weaving elegance and mystery into every phrase.
Finally, Caroline Shaw opens with Thousandth Orange, bridging the past and the present with music that feels alive—vivid, layered, and brimming with curiosity.